Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job.
　　He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs.
　　Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film.
　　On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic.
　　In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane.
　　Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances.
　　After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen.
　　This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.
　　The seventies were a difficult period for India and West Bengal. The Corruption was rampant; the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons.
　　About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant."
　　In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.

       1.剧情紧凑，引人入胜。这部剧情,剧情片影片的情节设计非常出色，情节紧凑紧张，不断将观众带入新的情境，让人无法预测接下来的发展。这种引人入胜的设计让观众完全投入其中，并跟随故事的发展。

       2.角色形象鲜明，深入人心。剧情,剧情片电影中的人物发展非常成功，每个人物都有自己独特的个性和形象。他们的行为和决定符合他们的性格，让观众能与他们感同身受，了解人物的内心世界。

       3.视觉效果出色，震撼人心。这部剧情,剧情片电影视觉效果极佳，画面细腻细致，无论是场景还是人物造型都令人印象深刻。特效制作也相当出色，能给人带来震撼的视觉体验。

       4.音乐搭配巧妙，情感共鸣。剧情,剧情片电影音乐设计非常巧妙，音乐与画面的协调度非常高，能够准确地传达人物的情绪和情节的氛围。音乐旋律优美动人，能引起观众的情感共鸣。

       5.演员们表演得很精彩，打动了人们的心。演员的表演非常出色，每个演员都深入发展了自己的性格。他们的表演真实自然，完全可以让观众沉浸在故事中，体验人物的喜怒哀乐。

       6.故事情节深刻，发人深思。剧情,剧情片电影的故事情节不仅引人入胜，而且具有深刻的内涵和意义。它反映了人类社会的一些重要问题，具有深刻的见解。观众也可以在享受故事的同时思考这些问题，对生活有更多的启发。

       7.细节处理到位，严谨细致。剧情,剧情片电影中的细节处理非常到位，无论是场景布置还是服装设计都非常细致入微。这些细节的处理不仅增强了电影的艺术感，也让观众更加沉浸在故事中。

       8.主题突出，明确有力。这部剧情,剧情片电影的主题非常突出，它要表达的核心思想非常明确有力。通过主题的深入探讨，电影引发了观众对人类社会和人类自身的深刻思考。

       9.导演的手法很独特，很有艺术性。导演在这部电影中的手法非常独特，他运用了多种艺术手段来增强电影的艺术感。这些技巧包括独特的镜头使用，创新的剪辑方法和深刻的音乐设计。这些元素使这部电影成为一部极具艺术性的作品。

       10.寓意深刻，启人心智。剧情,剧情片电影这部电影通过情节和人物的呈现向观众传达了深刻的意义。这些暗示并不局限于肤浅的故事情节，而是深入到对人性和社会问题的探讨。他们可以激发观众思考他们与社会的关系，以及如何在他们的生活中做出有意义的选择。

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